Now that I’ve got all the photography done, it’s time to pick up where we left off in The Basic Conical Torso Block (Part 1). We’re completing a basic torso block that we can use for the simplified, conical torsos popular in Renaissance, Elizabethan, Jacobean, Pompadour, Colonial, and all other eras between the Sixteenth and Eighteenth centuries. (She says, throwing as many keywords into one sentence as humanly possible.) One block, three hundred years of fashion – how can you lose?
10 CommentsTag: 1700s
For several hundred years, beginning where the High Middle Ages met the Renaissance and continuing through the eve of the French Revolution, fashion treated the female torso as something of an inconvenience. The breasts were flattened, first by bands of wool or linen, later by corsetry and boned bodices. The sides of the body were straightened and the tum controlled. The torso became a conic shape. In some decades, like the 1590s, 1690s, and 1780s, it’s a very long cone. In others, like the 1640s, it’s a very short cone that disappears into skirts below the bust. During these times, a very basic conical torso block can be used as a basis creating custom patterns.
43 Comments
The simple, soft flat cap is a smart look for middle and lower class characters. It can be work alone, over a simple coif, or for women, over a caul.
6 Comments
This is a smart little cap for characters in the middle class and beyond. It can be work alone, over a simple coif, or for women, over a caul. Again, ladies (especially of higher rank) will want to make this cap a little smaller so that it sits on the hair rather than the head. It looks much more dainty that way.
5 CommentsThe Floppy Gathered Hat is a rather unstructured, lower-class looking hat. There’s nothing pretentious about it, especially when it’s made up in a soft fabric.
1 CommentFor those of you out there who do Rev or Civ war stuff, this might come in handy. It’s basic, but it get’s the look. You’ll probably want to make the stitches smaller than I’ve shown.
3 CommentsThis charming little headcovering is a northern version of the
Simple Caul, seen in a number of flemish paintings.
Like the Biggins and the Simple Caul, the Northen Coif is comprised of a Band and a Gathered Crown.
Mme. de Grande Rose (that’s "Lady of Big Pink", for
the non-francophones in the audience) was inspired by one of Boucher’s Mme.
de Pompadour portraits. The portrait was used more as a starting point than
a goal, and the dres…