Have I mentioned that my show has, by and large, come from Goodwill? Yes, indeed. One of the characters in 1776 is “a courier”. (No, really, that’s all they call him in the script.) He’s an army courier who brings messages in to the continental congress. I need him to look like he’s a) military and b) really, really dirty. This means that I get to build the coat, and then I get to have a bit of fun with it…
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Oddly enough, I needed 19 pair of Colonial britches to go with my 25 Colonial vests. (Because I had much better luck renting britches than vests, not because I let anyone go pantless.) This is very similar to the trick I used for the Oliver! knickers, but they need a slimmer fit and different length. It goes like this:
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I needed 25 Colonial-looking vests for 1776. Because I wasn’t sure that I’d get round to making a coat for everyone, I wanted vests that weren’t faked out in the back, and I needed them to have structure and to be long enough to cover the obviously modern fly fronts on the britches I was making them. Now, you can’t just trot off to the Goodwill and buy a real live Colonial vest. But you can pull off something passable, if you believe that that there are, in fact, user-serviceable parts inside of a jacket….
6 CommentsI just realized there’s a pretty psychotic split between the last two posts – I love my job, my job is destroying my brain… What gives there?
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So, I took a few hours break from my current bout of insane workaholism the other day and did a little beading. This is what programming does to me: my mind goes from being a marvelous realm of creative joy to being a twisted up little thing that can only think in terms of methodology and function. Hurts my soul a little, not gonna lie, but it’s quite useful to those who employ me. Also, it makes me say hopelessly silly things like “How about a small scale mockup of Eleventh century German multi-needle beadwork on 1/4th inch wide organdy ribbon?” I’m fairly convinced I would not be doing this if I were in my right mind. Darn you, temporary left-brain dominance! Here’s the method I used…
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I know, I’ve said it before, and it probably sounds like I’m gloating a little bit. And I’m not gonna lie – I kinda am. Not only is it the coolest job ever, but my boss says I can use my exploits in the costume shop as blog fodder. Tee hee…. The downside is that I don’t really have any excuse to use a computer at work, so the actual physical reality of being at work sort takes me off the interwebs. That’s why missa hasn’t been around as much lately. But now I’m back, and I thought I’d share some more of the crazy things I actually get paid to do…
6 CommentsSarah posted a totally, fabulously, fantastically AMAZING bit of research based off Drea’s equally fabulously, fantastically AMAZING database of wardrobe warrants. (Seriously, is this the best time for a costumer to be alive or what?) Go read them both. I’ll wait till you’re done with with Sarah’s points about the “pair of busks” entries….
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I’m a huge fan of shoe roses (aka, “shoe hoo-ha-s”, “shoe hooters”, “shoe dec”, etc). Whatever you want to call the silly little things, I love them. Seriously, little hats for shoes? Tee! Put me in, coach! They just make me giggle… If you need to period-up a shoe with a strap across the foot (like a mary jane or t-strap style dance shoe), here’s a quick and dirty way to build a shoe rose that is relatively actor-proof…
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This one won’t win you any points for historical accuracy or art. It’s more for those times when you need to put something decidedly ruff-like around a neck, and you need to do it in a big bad hurry. Say you’ve got a kid who needs a halloween costume, or, I dunno, a designer who needs 10 clown ruffs to put on a pack of galloping ballerinas doing a piece inspired by Pierrot and Columbine…. Ahem. Yes. Well. If you’ve hit the “Done is Beautiful” point, this is the ruff for you. If you’re looking to make a ruff The Right Way(tm), you maybe oughta take a pass…. ;)
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I decided that I needed more practice with the industrial machine at work. I can use it, I can do well with it, but it still occasionally gets away from me. I like to get to a point with a machine that I can raise the needle with the foot pedal if I need to. (Hey, sometimes you run out of hands!) So I brought Maid Marion’s overdress pieces into the shop the other day. Sewing doll clothes on an industrial machine is probably overkill, I’ll admit, but…. I figure that if I can set in a dolly-sleevehead with the machine, I am its master. If you doubt my theory, you clearly do not sew many doll clothes… Seriously, I know how to sew, but this is a whole new level of precision. Yipes!
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