This is a very basic embroidery technique that will serve you well. It’s sometimes called a french knot or a bullion knot. It’s a nice decorative touch. It’s also the absolute fastest way to tie off a thread when you’re sewing – just make the knot on the inside of the garment instead of the outside, and bury the threads!
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This is a wonderful trick I learned in a millinery class. It’s one of those silly things that someone shows you and you wonder why you never thought of that…. It’s simply the fastest way to tie a knot at the end of your sewing thread. I mean, right at the end, every time, without the knot slipping off the end of the thread.
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Sometimes, you want to make a clone. It doesn’t need to walk and talk; no zombies, no crazy sci-fi psuedo-scientific babble, and no sheep. You just want something the same size and shape as, say, a doll who is too inconveniently vinyl-y to pin into. There is a hard way to do this. It works for any person-shaped form, it gives great results, and I totally recommend it if you’re planning a lot of high-end custom clothing. It’s called Le Moulage – follow the link, buy the eBook, and bust out your calculator. It works so well you can use it to make custom dress forms. There’s also an easy way with no maths and no rulers. (Do not adjust your browser; I really said that…) Interested?
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Every now and again, bad things happen to good costumers. Usually, they happen at the worst time possible. I pulled out Ye Olde Disney Peasant dress for a Halloween party over the weekend, and being my normal timely self, I was done washing it about a half hour before my guy was supposed to pick me up. And that’s when I noticed disaster: a three inch rip up the center back bodice, through both layers, which had also loosened a few inches of skirt pleating. Oh, joy…. I love a last minute repair. Should you find yourself in the same situation, here’s how to fix it.
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So, you’ve got a basic ren wench bodice pattern. Yay! Now it’s time to pick some fabrics and sew it all up.
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Remember a while back, I posted directions for a Basic Conic Block draft? Everyone was sort of like, wow, missa, that’s great, it explains so much, but what do I do with it? Well, a basic block is used to develop other patterns in a big bad hurry, without all that annoying measuring and math. Today, we’re going to make an ultra-generic-wenchy-ren-faire-been-there-drank-the-ale-SEEN-IT type bodice pattern. You know the the one I’m talking about…. It won’t win you points for originality or authenticity, but it’s a fun little piece to wear.
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Sewing and hemming gored skirts is a skill needed for almost all periods of western fashion since the late 1400s. This demo shows how to make a gored skirt with a simple side-seam pocket, mounted on a waistband. We’re going to gather the fullness of this skirt to the back, making it very suitable as an underskirt to be worn over a support skirt (hoops or farthingale).
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If you’re looking for a way to draft gored skirts for your costumes, this is the eBook for you. The method shown is one I’ve worked out over the years, in an attempt to find a possibly period way to create a gored skirt. The instructions can be easily adapted to create a pattern using nothing more than a straight edge and notched tape.
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The Spanish Farthingale is a stiffened underskirt that gives Tudor and early Elizabethan skirts their characteristic conical shape. You can make a very passable one with a full length gored skirt pattern (either a commercial A-line skirt pattern, or one you draft yourself), a lot of ribbon or bias tape, and boning.
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A lot of people seem to really like circle skirts. They look all cute and romantic on tiny elf-looking girls, and multi-circle skirts are popular with some dance troups. To me, for historical work, they always scream “sock hop!” and I avoid them even though circular hems are demonstrably correct for sixteenth century surcoats and capes. (They also eat fabric like you wouldn’t believe.) This is about the second easiest skirt pattern I can think of, though, and it’s a good trick to know.
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