The Conic Block is a great starting point for drafting corsets. This eBook includes instructions for the best way to reduce the Conic Block and for using that reduced block to draft versions of the Pfalzgrafin, Effigy corsets with a smooth waist arc (for comfort). It also includes directions for a Curved Front corset.
5 CommentsCategory: Instructions
I’ve been doing some background work for a project, and I had to do up a Conic Block for Lizzle. Her body is a leeeetle bit stylized, and she’s particularly got a relatively wide shoulder and upper back (like a swimmer), and she has a distinct curve at her upper back (a swimmer who spends too much time hunched over a desk, maybe?). Anyway, here’s an adjustment to the Basic Conic Block draft for situations where the upper back is significantly larger than the back bust measurement.
Leave a CommentFelled seams are sturdy and utilitarian. We’re mostly familiar with them as the re-inforced seams on our jeans, but felling is a very old technique. It was a handworked finish for seams centuries before sewing machines were invented, and was often seen in traditionally home-made items like shirts and chemises. A seam allowance can be felled after the fact. It’s a good finish for both hand and machine sewn seams, and, properly done, is completely invisible from the outside of the garment.
Leave a CommentThe eleventh century outfit needs and overdress, which means I need a pattern. I want to make one based off a diagram from Kohler’s History of Costume, but the measurements are basically useless to me because my model is a doll. Fortunately, I have a chemise-y-tunic-y pattern already, and it’s a simple matter to alter that into the overdress pattern I want.
Leave a CommentThis goes together quite easily, since it’s really just a series of straight lines. Shirts and smocks with the same general layout (small variations in neckline) continue to be used into the sixteenth century, at least, and I can see why: it’s easy. There’s no need for a gusset, because of the angle the sleeves are placed on. That is so cool. (If you don’t know why that’s cool, it’s because you’ve never sewn an underarm gusset by machine. They’re all sorts of annoying.)
Leave a CommentWhat? Why would you ever possibly want to do that, missa? This is a good question, and the answer is basically, “Because you can.” That, in an of itself, is cool enough for me. I can take the pattern of my little dolly body, or the pattern I cloned off a dolly, or even a fitted princess line sloper of a human, and make a chemise. (Also, I have drafted approximately 55,237,648,119 smocks and chemises and shirts in my life, and I’m just lookin’ for ways to keep it exciting…) This isn’t unlike draping on a stand, because we’re going to make a pattern by eyeballing fit against a human form. It’s just that my human form, in this case, is in the form of flat pieces instead of a three-dimensional stand. But those pieces convey all the same critical information the stand does, and they don’t cost near as much as a decent dress form.
6 CommentsSometimes, you have to finish a seam allowance so it won’t fray. (Or, possibly, you’re like me and compulsively finish seams, whether they need it or not.) There are times when you can’t use a french seam, or you are working in an area too tight for a felled seam, and you want something nicer than an overcast edge. This method of finishing a seam allowance by hand will prevent them from fraying, and lightly reinforce the seam.
1 CommentIt sounds way too good to be true, doesn’t it? I mean, making patterns without a whole bunch of math? You can do such a thing? We’re barely even going to use measurements! We’re going to use out Basic Conic Block, and enjoy good old fashion magic of the sloper alteration. If this sounds too modern, there’s something you need to know: the idea of describing a pattern as a series of steps and measurements is less than 150 years old.
1 CommentThis is a really nice looking edge finish. It’s decorative and fully sealed. It shows up all throughout the ages – sixteenth century ruffs, smocks and chemises of all eras, even on modern blankets (of all things). It’s also a great utility stitch – milliners use it to whip wire down to buckram hat brims.
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