Thank my crazy-fabulous students over at the college for this one – they’ve got a knack for asking those incredibly important, basic questions that you stop thinking about after a while. Things like, “What’s the best way to cut so I don’t get these weird edges?” or “How close to the edge of this should I sew?” I remember asking my mom forever ago: How close should I be to the edge of my bias tape?
Leave a CommentCategory: Instructions
Oh, the medieval romance of the sleeve with the little pointsy-doo that falls gracefully over your hand… So lovely. The problem is that half the time something goes wrong and you end up with a sleeve that looks like it’s flipping you off – the point doesn’t follow your hand (unless you put a loop on it), it doesn’t lie smoothly, it wrinkles at the wrist… It can look so sweet, but it can go soooooo wrong. Here’s a drafting trick I picked up in a Bridal Couture class a few years back.
6 Comments
Sometimes, you need to hem something so it won’t show through from the front. In a perfect world, you’re working with two layers of fabric. But what happens if, oh, I dunno, you’ve got yourself a crazy corset that’s mostly lined, except for the gussets? Then you need to know how to blind-hem with only a single layer of fabric.
1 Comment
So, I’m making up a Regency style corset and it has gussets at the bust and hip to give it shape. I’m lining the corset, but I’d like to do the gussets as single-layer pieces. If you find yourself doing something equally silly, here’s how to slam a gusset in between the two layers in one go.
15 Comments
Ok, so you know I’m gonzo about le moulage, right? It’s basically a princess line dress, with no ease. That makes it a pretty accurate model of a specific human’s torso. But what the heck do I do with that information? I’m working with two remote clients right now, and they’ve sent me back their moulages (with notes – nothing is perfect the first go). For Haley, I need to draft a regency style corset for her Elizabeth Bennet inspired dress. Here’s how to go from Moulage (or any other princess-line sloper you’ve got handy) to the least moulage like thing I can think of – an 1820s corset. ;)
2 Comments
So there’s always that scene in midieval movies where the heroine is seen romping around a field with a wreath of real live flowers on her head, and maybe there’s someone shown doing some totally random bit of jiggery-pokery that effortlessly causes flowers to form into a neat little chain. These scenes annoy me. I’ve tried everything I can think of to make flowers turn into neato little wreaths and chains — braiding, twisting, weird-pokey-stem-through-stem things, everything. And it never works. So I end up buying a dried flower wreath at faire. Well, no more…
5 Comments
Have I mentioned that my show has, by and large, come from Goodwill? Yes, indeed. One of the characters in 1776 is “a courier”. (No, really, that’s all they call him in the script.) He’s an army courier who brings messages in to the continental congress. I need him to look like he’s a) military and b) really, really dirty. This means that I get to build the coat, and then I get to have a bit of fun with it…
7 Comments
Oddly enough, I needed 19 pair of Colonial britches to go with my 25 Colonial vests. (Because I had much better luck renting britches than vests, not because I let anyone go pantless.) This is very similar to the trick I used for the Oliver! knickers, but they need a slimmer fit and different length. It goes like this:
2 Comments
I needed 25 Colonial-looking vests for 1776. Because I wasn’t sure that I’d get round to making a coat for everyone, I wanted vests that weren’t faked out in the back, and I needed them to have structure and to be long enough to cover the obviously modern fly fronts on the britches I was making them. Now, you can’t just trot off to the Goodwill and buy a real live Colonial vest. But you can pull off something passable, if you believe that that there are, in fact, user-serviceable parts inside of a jacket….
6 Comments
So, I took a few hours break from my current bout of insane workaholism the other day and did a little beading. This is what programming does to me: my mind goes from being a marvelous realm of creative joy to being a twisted up little thing that can only think in terms of methodology and function. Hurts my soul a little, not gonna lie, but it’s quite useful to those who employ me. Also, it makes me say hopelessly silly things like “How about a small scale mockup of Eleventh century German multi-needle beadwork on 1/4th inch wide organdy ribbon?” I’m fairly convinced I would not be doing this if I were in my right mind. Darn you, temporary left-brain dominance! Here’s the method I used…
9 Comments