A lot of sewers are afraid of bifurcated nether-garments. They look more complicated than skirts. I remember wearing bike shorts under costumes for years because I was afraid to attempt a bloomer. And that is an odd conundrum, because I had been making corsets for years. That’s just the power of the pant. But sister, don’t fear the bloomer… There’s a Really Easy Way(tm).
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File this under “Reasons missa is going to milliner’s hell” for 100, Alex.” This is the WRONG WAY to recover a hat. DO NOT DO THIS. It’s bad bad bad Wrongy McWrong. It’s really bloody fast. But it is wrong, and will probably get you mocked by anyone who knows what they are doing. You have been warned… ;)
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So I made a sedate little dress with just a teensy hint of a bustle for Stephanie last fall to go under this here little blue dress. By “a teensy little bustle”, I mean something that sticks out roughly 24″ behind her. You know, no bigs… So what’s going on under there?
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Nothing makes a pant look as fantastically olde-timey as a fall front. Unfortunately, a real fall front is a pain in the patouty to sew (trust me), and it’s not something that can be added in after the fact in any sort of historically accurate manner. Fortunately, if you’re not 100% concerned about authenticity, it’s easy enough to add a mock fall to existing pants….
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Sometimes, in theater, you need a specific period shoe and you don’t have the time to order it from the internet, the money to order it from the internet, or an actor who wears a size you can order from the internet. (In this case, it was an “all of the above” scenario – I had a Benjamin Franklin who wore something like a 13EEE. This is hard enough to find in a modern shoe at community theater prices. As for replicas, you can forget it!) This is not a demo that will show you how to make an exact replica. It’s more of an act of desperation, which might possibly inspire others to do a better job than I did. ;) I just needed something good enough for stage at the “this ain’t broadway, sweetheart” level.
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Somewhere in the Victorian era, people started coming up with ideas for making corsets more comfortable to wear. Gigglishiously ironical though that may sound, some great innovations came out of it. One of my favs is the single layer corset – no lining, no interlining, just a base layer of fabric and some boning. If you do outdoor events in the summer, it’s a trick worth adapting. (“It’s period! It’s just not quite your period, dear rennie…” says the voice of evil. Heh. ;) )
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I’m saving the best for last – I loved the way this costume turned out! It is, by far, the most wack-a-doodle set of design decisions I’ve ever made. I really wanted to do a rather prim dress for the Countess, what with how she’s rich and all. At the same time, there’s only so much “prim” you can use around a Steve Martin script, and the character is fairly exuberant. So she needed a costume with enough detail to be lavish, enough joy to match the character, an olde-timey silhouette, and it had to come from resale. You know, no bigs….
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I’ve been a huge fan of jumbo plastic cable ties as corset boning for a long time. The only real downside to them is that they can get sharp corners when you cut them, and those corners will eat through fabric over time. I used to file them down with a nail-file, but that takes time. There’s a faster, easier way….
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So, for the next installment in the series, I’ll tackle the character of Germaine in Picasso at the Lapin Agile. (Wowza, did that sound pretensious…) The rough inspiration for the costume was, “How would Miss Piggy do Steampunk?” This one is slightly more complex than the Admirer, but still pretty easy to wrangle out of resale…
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So I’m doing Picasso at the Lapin Agile at Wheaton Drama right now – big funny Steve Martin craziness, right? It’s our studio show. Now, I figured the studio show was where we do something artistically risky, just to see how the audience responds and not care too much about how it sells. This should tell you how much I still need to learn about theater… Le sigh. Silly me. Apparently, “studio show” is theater-ese for “low budget”. So, what’s a costumer to do when she finds herself with an 11 person period show, and the show budget is 500$ less than what she wanted for the costumes? Steampunk.
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