So I’m doing Picasso at the Lapin Agile at Wheaton Drama right now – big funny Steve Martin craziness, right? It’s our studio show. Now, I figured the studio show was where we do something artistically risky, just to see how the audience responds and not care too much about how it sells. This should tell you how much I still need to learn about theater… Le sigh. Silly me. Apparently, “studio show” is theater-ese for “low budget”. So, what’s a costumer to do when she finds herself with an 11 person period show, and the show budget is 500$ less than what she wanted for the costumes? Steampunk.
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So there’s always that scene in midieval movies where the heroine is seen romping around a field with a wreath of real live flowers on her head, and maybe there’s someone shown doing some totally random bit of jiggery-pokery that effortlessly causes flowers to form into a neat little chain. These scenes annoy me. I’ve tried everything I can think of to make flowers turn into neato little wreaths and chains — braiding, twisting, weird-pokey-stem-through-stem things, everything. And it never works. So I end up buying a dried flower wreath at faire. Well, no more…
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Have I mentioned that my show has, by and large, come from Goodwill? Yes, indeed. One of the characters in 1776 is “a courier”. (No, really, that’s all they call him in the script.) He’s an army courier who brings messages in to the continental congress. I need him to look like he’s a) military and b) really, really dirty. This means that I get to build the coat, and then I get to have a bit of fun with it…
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Oddly enough, I needed 19 pair of Colonial britches to go with my 25 Colonial vests. (Because I had much better luck renting britches than vests, not because I let anyone go pantless.) This is very similar to the trick I used for the Oliver! knickers, but they need a slimmer fit and different length. It goes like this:
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I needed 25 Colonial-looking vests for 1776. Because I wasn’t sure that I’d get round to making a coat for everyone, I wanted vests that weren’t faked out in the back, and I needed them to have structure and to be long enough to cover the obviously modern fly fronts on the britches I was making them. Now, you can’t just trot off to the Goodwill and buy a real live Colonial vest. But you can pull off something passable, if you believe that that there are, in fact, user-serviceable parts inside of a jacket….
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I had this horrible, recurring experience with some of my oldest costumes: I’d put a zillion hours worth of work into making something, right, and lace myself into a corset to make me skinnier, and put on enormous skirts that should have dwarfed my waistline, and the bodice and the yadda yadda, and, like, fifty pounds of tightly laced clothing later, my torso looked stumpier and my waist looked wider than it had when I started. That’s a lot of work to go through to look shlumpy, you know? Fortunately, there’s a simple little trick you can play with the waistline on an Elizabethan dress that will help…
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I’ve been doing some background work for a project, and I had to do up a Conic Block for Lizzle. Her body is a leeeetle bit stylized, and she’s particularly got a relatively wide shoulder and upper back (like a swimmer), and she has a distinct curve at her upper back (a swimmer who spends too much time hunched over a desk, maybe?). Anyway, here’s an adjustment to the Basic Conic Block draft for situations where the upper back is significantly larger than the back bust measurement.
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Every now and again, bad things happen to good costumers. Usually, they happen at the worst time possible. I pulled out Ye Olde Disney Peasant dress for a Halloween party over the weekend, and being my normal timely self, I was done washing it about a half hour before my guy was supposed to pick me up. And that’s when I noticed disaster: a three inch rip up the center back bodice, through both layers, which had also loosened a few inches of skirt pleating. Oh, joy…. I love a last minute repair. Should you find yourself in the same situation, here’s how to fix it.
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So, you’ve got a basic ren wench bodice pattern. Yay! Now it’s time to pick some fabrics and sew it all up.
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Remember a while back, I posted directions for a Basic Conic Block draft? Everyone was sort of like, wow, missa, that’s great, it explains so much, but what do I do with it? Well, a basic block is used to develop other patterns in a big bad hurry, without all that annoying measuring and math. Today, we’re going to make an ultra-generic-wenchy-ren-faire-been-there-drank-the-ale-SEEN-IT type bodice pattern. You know the the one I’m talking about…. It won’t win you points for originality or authenticity, but it’s a fun little piece to wear.
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